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News

Forensics casts doubt on music of Bach

Wednesday, 8 October 2008
Cosmos Online

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Bach

Keeping it in the family: Bach is one of the great composers - but did he take credit where it wasn't due?

Credit: Elias Gottlob Haussmann

SYDNEY: A forensic analysis of 18th century letters and musical manuscripts has shown that Johann Sebastian Bach’s second wife may have written or co-composed some of the genius composer’s best-known works.

Bach was born in 1685 and died in 1750. He was a renowned organist, and is one of the most famous composers of all time.

Assistant composer

The new analysis of his work – by Australian forensic anthropologist Martin Jarvis of Charles Darwin University in Darwin – involved comparing documents written by Bach’s second wife, Anna Magdalena, with musical notation written by Bach and others who copied his work.

“My forensic work reveals that our current understanding of Anna Magdalena's role in the life and musical output of Johann Sebastian Bach cannot be correct," Jarvis told Cosmos Online.

"I believe there is evidence that shows that Anna Magdalena was at the very least a composition student of Bach, and more probably his assistant composer,” he said.

His research was revealed today at the 19th International Symposium on the Forensic Sciences in Melbourne.

Similar handwriting

The results cast new light on the relationship between Bach and Anna Magdalena, a first class musician in her own right.

Jarvis said that his analysis reveals the pair knew each other about seven years before widely accepted history shows, and that she was probably Bach’s student before the married.

Bach and Anna Magdalena are believed to have had very similar writing. To tell the handwriting apart, Jarvis delved into the historical records and came up with a letter purporting to be written by Anna Magdalena, asking a council for custody of their children after Bach’s death.

Jarvis compared this letter with another letter accepted as having been written her, and he also studied a large number of manuscripts handwritten by Bach, Anna and other contemporaries containing musical notation and text in old German and French.